Tuesday, October 8, 2013

Supernatural Season 9: One Hell of a ride ahead

"Did I ever tell you...you hit like an angel?"

Hello witty repartee, welcome back complex story line and plot, I've missed you brotherhood.

Supernatural Season nine has kicked off and it has kicked off with a series kick in the ass, as Dean might put it.

This should come as no surprise that there are definitely spoilers after this very sentence.

When we last left Sam and Dean they were watching as Angels fell from the sky after Metatron ejected them from Heaven.

Now we've caught up with the brothers to find that Sam is in a coma, damaged badly from the spell he was tricked into doing by Metatron through Castiel, and is at Death's door (literally), and Dean is desperately looking for help from any stray Angel that might hear his plea.

Although the Angels aren't out to help the Winchesters, but rather seek revenge on their brother Castiel who was responsible from casting them from their warm and fuzzy home in Heaven.

While having a first fist encounter with one of these angry Angels, Dean is lucky enough to have Ezekiel come upon him and attempt to save him from his brother Angel's attack (although Dean ends up being the one to save Ezekiel).

The two work out a deal to save Sam by Ezekiel inhabiting Sam's body and repairing it from the inside while also healing himself as the host he has taken has left him damaged.

So Dean is left to convince Sam once again to come back to the world of the living and interrupts a meeting between Sam and Death (one of my favourite sub characters in the series).

In a very strange and ironic twist of fate Dean convinces Sam to come back from Death's clutches (many fans will remember a similar situation where Dean requested the help of Death to bring Sam's soul back from Hell's pit where he was stuck with Michael and Satan).

But Ezekiel explains to Dean that he can never tell Sam that he has been possessed by an Angel for fear of him ejecting Ezekiel and leaving them both to die once again.

So once again Dean is forced to put on a brave face and lie as Sam's memory is wiped (again the irony of the situation that was much similar to when Death had to block Sam's memories of the pit to keep him from going insane).

And now we are left with an image of what is to come. Castiel is human now, running from the Angels that want his blood, Sam and Dean are trying to find him while dealing with this new threat of Angels seeking the Winchesters to try and find the location of Castiel alongside the fact that much like when Demons would possess bodies to get to the Winchesters, there are now Angels who are floating around looking for hosts and oh yeah, they still have the King of Hell, Crowley, safely tucked away in the trunk of Dean's car.

This is going to be one amazing season of Supernatural and with the teased Chicago spin-off series being introduced first by this season, there is a lot more to look forward to.

Check out the producers of Supernatural Robert Singer and Jeremy Carver talking about this season and the teaser for episode two of season nine 'Devil May Care' below.


By: James Bowler

Monday, September 30, 2013

FELINA: Breaking Bad Finale

Okay, so before we proceed I am going to say:

THERE WILL BE SPOILERS IN THIS ARTICLE.

I REPEAT, THERE WILL BE SPOILERS IN THIS ARTICLE.

"Felina" the title of our final episode of the Emmy award winning tv series, Breaking Bad, is an anagram for the word "finale." And everything about this last episode was indeed final, conclusive, and extremely satisfying.

Walt is on the run again, this time back to Albuquerque. He steals a car and while gassing up he uses a payphone, where he poses as a journalist wishing to interview Gretchen and Elliot Schwartz. He is able to obtain their new home address and discovers they'll be home that evening. Then he removes the watch Jesse gave him on his 51st birthday, and carries on.

Last week, so many people thought Walt was headed to find Elliot and Gretchen to kill them. Yes, they hurt Walt's pride and we all know just how much Walter's ego means to him, but almost all of Walter's kills have been in a fit of blind rage (aside from Gus Fring that is however, we all know he had to die). So I wasn't entirely surprised to discover that his reason for tracking down Elliot and Gretchen was to use them to secure his family's future, rather than off them. He confronts the couple, in their home. Alarmed at his unexpected and unwelcome visit (not to mention his rather haggard appearance), they are at first reluctant to comply with Walt's demands. He wants them to keep his money for him until Junior turns 18. At which point they will distribute the money to Junior, making it look as an act of charity and compassion for Walter's family, who are in fact blameless victims of the methamphetamine drug trade. To ensure their cooperation, Walter then signals outside to what appears to be nothing but dark, black night. Sniper lasers target both Gretchen and Elliot's chests, at which point Walt explains that he has spent $200,000 of his hard earned cash to hire two of the best assassins in the state to guarantee that Gretchen and Elliot honour their word in that they will do exactly as Walter has demanded.  

Satisfied that the couple has been intimidated into doing as he has instructed, Walter returns to his car where we discover the two badass hitmen are in fact Badger and Skinny Pete, armed with nothing more than laser pointers. Thank heavens for some comic relief folks, the tension was really starting to kill me here.
As the three men drive off into the night, it is revealed to Walt that the Blue Meth is still on the market. Walt deduces Jesse is still cooking, thus he is not dead. The next scene shows Jesse, looking even worse than Walt is. He has clearly been beaten and deprived of both food and sleep, and cooks meth in Jack Welker's lab by force and under threat of young Brock's life. Oh Jesse, how I love your big heart.

We are then brought back to the opening scene of the season premiere, Walt returning to his home. It is now vacant and vandalized. Here in his living room, he retrieves the ricen and recalls better times had in the home, including Hank offering to bring Walt along on a meth bust: the starting point of Walter's career in the illegal drug trade.

Miss Camomile with soy milk and Stevia, also known as Lydia awaits Todd Alquist's arrival in the coffee shop. No sooner does Todd sit down, and to their shock, Walt pulls up a chair. He desperately pleads for their help as he is out of money. Walter offers to make it worth their while by providing them with a Blue Meth recipe that no longer requires the crucial and hard to come by ingredient, methylamine. He says he will give up the information for $1 million dollars. Lydia shows very little compassion, all she wants to know is how Walt knew where to find them. Walt claims it wasn't hard, this is where they used to meet each week as well. Todd immediately says no to Walt but Lydia agrees to meet with Walt, later, at Jack Welker's compound. A server arrives with her camomile tea and Walt departs. Lydia implies to Todd that they will not help Walt but will rather use the opportunity to kill him. With that, Lydia stirs her Stevia into her mug unbeknownst to what other ingredient she just added to her tea.

We see Walt working on a rather lethal looking gun in the desert. He seems pleased with the results.
Finally we are brought to Skylar's home. Skylar appears almost frail looking. She is a woman broken by what her life has become. While she sits quietly smoking her cigarette, the phone rings. It's Marie, who has heard of Walter's return to town and has called to warn Skylar. Skylar humours her sister, hangs up, and says "five minutes." The camera shifts to reveal Walt is standing in Skylar's kitchen. Walter has returned to say a proper goodbye. He admits to Skylar that all that he did was for himself. "I did it for me," he declared to Skylar. "I liked it. I was good at it. And I was alive." He assures Skylar that after tonight there will no longer be any danger to their family. He then provides Skylar with the lottery ticket which contains the coordinates that will lead back to Hank's body. He instructs Skylar to trade the location for a plea bargain to clear her name. Then Walt asks if he might see Holly one last time. Skylar agrees. Here we are shown the often absent tender side of Walt. He watches his daughter sleep and tearfully bids her farewell. Oh the FEELINGS. Then from outside the house, he watches Junior arrive home. So not to disturb him, he leaves undetected.

Walter then heads to Jack Welker's compound. Upon arrival at the gate, Kenny enters the car and tells him to park, but Walter insists on parking the vehicle on just the right angle. Kenny thinks nothing of it. After exiting the vehicle, Kenny insists on having Walt's keys and wallet. Walt wants to know that they'll each be returned to him. They enter the main building, where Jack refuses Walt's offer to provide a new recipe for the Blue Meth and Todd reveals that Walt never should have returned. Jack informs Walter that he plans on killing him. Before Jack's men can take Walter out to dispose of him, Walter calls Jack out on breaking his earlier promise to kill Jesse, accusing Jack of making Jesse a partner instead. Jack is livid that Walt would accuse him of partnering up with a "rat", and insists his men bring out Jesse. Jesse remains shackled and disheveled. Jack asks Walter if it looks like Jesse is his "partner" and informs Walt that he uses Jesse as more of a slave. Walter uses the distraction to slowly retrieve his keys from a nearby table.

And here, the climax. Walter flings himself into Jesse, appearing to attack him, when actually he is protecting Jesse by tackling him to the floor. Walt presses the "trunk" button on his keys, and the machine gun he built in the desert begins firing from his vehicle's trunk into and all over the building, spraying bullets everywhere. We see Walt take a hit as he shields Jesse's body with his own. Everyone but Walter, Jesse, Todd, and Jack are instantly killed. After the chaos, Jack pleads for his life by offering Walt back his money, Walt responds by putting a bullet into the man's head, in the very same fashion in which Jack killed Hank. Jesse then violently strangles Todd with his handcuffs chain, finally killing him by snapping his neck.

Jesse frees himself and Walter offers up his gun. He tells Jesse, "you want this" but Jesse won't kill Walter unless he wants it too. Walt assures him that he does. Jesse then notices the fatal gunshot to Walter's side and tells him "do it yourself." He walks out.

Todd's phone rings quite possibly the creepiest ring tone of all time, some variation of a song called "Lydia" and when Walt answers, it is of course Lydia. Lydia is sick and in bed, looking simply terribly, and she doesn't recognize that she is speaking with Walt when she asks "Todd" if he has taken care of Walter. Walt reveals himself to Lydia, and gloatingly informs her he has killed Todd and the rest of Jack's crew. He asks her if she is feeling "under the weather" and explains that he poisoned her by putting the ricen in her Stevia. Then he tosses the phone.

Walter saunters outside, where he and Jesse acknowledge each other one last time. Jesse starts a car, and speeds off. Our final scene with Jesse is him laughing, crying, both hysterical and ecstatic at the same time, to be free; not only of Jack's meth lab, but Walter and the entire lifestyle as well.

We hear sirens in the distance. Walter heads over to the meth lab and takes it all in, touching it, appreciating it. He finally succumbs to his wound as the police arrive at the compound. Walter White, dead on the floor, surrounded by chemistry equipment, is at peace at last.

Going  into the series finale, I'm not going to lie, I was worried. It seemed like so many issues needed to be resolved in a short 60 minutes of screen time. I began to fear that we'd end up with a Dexter finale, a Sopranos finale, or worst of all: a LOST finale. But series creator, Vince Gilligan delivered as promised. And as always, Bryan Cranston was nothing short of amazing. That goes for Aaron Paul, Anna Gunn, and the rest of the cast as well; so shame on me for not believing. My only slight complaint might be that Walter killed the men at Jack Welker's compound with a machine gun and to me that's not exactly Walter White. I would have expected something with a little more "chemistry" involved but this isn't the first contraption we've seen Walt throw together (ie. the RV battery, Gus Fring's Face Off bomb). So I'm definitely not losing any sleep over it.

This series left no stones unturned, no loose ends untied, and gave every Breaking Bad fan the closure they so needed. Somehow, in a single episode, Vince Gilligan ensured that Walter White secured his family's future, provided Marie the closure she needed after losing her husband, destroyed his enemies, made things right with Jesse, and finally faced the consequences of his actions.

R.I.P. Walter White, my television anti hero of 2013.


Danielle Beaudin-Lawrence
@daniellebeaudin

The Goldbergs: A revisit to the beloved 80's

Stop right now, don't even think about watching The Goldbergs if you were born in the late 80's, have no appreciation for any family sitcoms like Married With Children or The Simpsons, or basically have no soul and dragged your stinking decomposing carcass from the depths of hell. You will not appreciate this show for what it is. (Okay the late 80's and beyond kids can watch, but pipe down!)

If you loved shows like The Cosby Show, ALF and especially The Wonder Years....this show is nothing like them at all.

There are no after school learning experiences here involving drugs or alcohol, no warm family moments that make you want to repeatedly throw up over and over again until you are nothing but a dehydrated husk of a person. This is pure, unadulterated 80's family. This is my family in the 80's, this is your family in the 80's.

The father is always yelling at you, the mom is freaking out over every little thing and overly controlling every moment of your life, and your sister....she's bigger than you and she beats you up (all these things literally happened to me, especially the sister thing).

The best part about this show, its based on real life scenarios that the show's creator, Adam F. Goldberg, actually filmed from his childhood in the 80's. All the characters are based off of his neurotic, overly-controlling, crazy family (with the exception that for some reason they turned his oldest brother into his sister).

While this may not reflect some of the shows of the 80's it does indeed reflect what growing up in that era was like. I'm an '83 baby, I know this to be true!

The show follows the family from September 3rd, 1985, and follows their follies and strides in life. It's like 'That 80's Show' except you know actually good and not attempting to base it's success off of a predeceasing show.

Also geek extraordinaire Patton Oswald narrates! How can you lose?

Aside from the original premise of basing a TV series about the 80's off of an actual family from the 80's, the show has some pretty good tongue-in-cheek writing and some definitive laugh out loud moments that only a truly comedic sit-com can provide.

The Goldbergs will most definitely bring you back to the world that all us who were born in the 80's and before miss, a world of possibilities, new technologies and mind blowing 8-bit!!

I look forward to the series actually going back to having Halloween and Christmas specials, just like all my old 80's favourites.

I will definitely be tuning in Tuesdays at 9 p.m. on ABC and if you want to rekindle your love affair with the 80's I would suggest you do as well.

By: James Bowler

Thursday, September 26, 2013

The Dexter series finale review: Oh no they didn’t!

Spoiler Alert!

It wasn’t the quite ending that long-time fans of Dexter had been waiting two years for.

The final images we have of Dexter Morgan (Michael C. Hall) – blood spatter analyst by day/serial killer by night – are of a pathetic, grizzled, bearded man, sitting alone in a semi-lit room in his rundown home in the woods, looking weakly into the camera. Fade slowly to black.

Alone and a former shell of himself. Self-inflicted punishment. Atonement maybe.

Deb (Jennifer Carpenter) is dead. So is Daniel Vogel/Saxon/The Brain Surgeon/the season’s main antagonist. Dexter is “dead.” And Hannah McKay (Yvonne Strahovski), Dexter’s serial poisoner girlfriend, is now raising Dexter’s son, Harrison, in Argentina. The end.

A dark, unhappy ending is fitting. For all of the show’s black comedy, it always mirrored Frankenstein. Bear with me.

Think of Dexter as Frankenstein’s monster and Harry (Dexter’s late adoptive father) as Dr. Frankenstein. Dr. Frankenstein gave his monster life. Harry gave Dex the code. But more importantly, both Frankenstein’s monster and Dexter spend the entire novel/series trying not to be a monster. Both end up realizing that they are what they are, and cannot fit into the world that they so badly want to be a part of, and living in exile.

The tone of the ending isn’t the problem. In fact, the tone of the ending is one of the three best things about the ending.

Deb and Saxon’s deaths were the other. I’ll circle back to that later.

The show ends with Dexter becoming a lumberjack and living in the woods. No, really. That’s what happens. He makes a snap decision during a hurricane named Laura (the name of Dexter’s mother… yup, we noticed) after Deb dies, drives his boat, the Slice of Life towards the storm, and is presumed dead. Then we see him as a tired, defeated looking man with a bushy beard, leaving his job in the lumber yard for the day, walking home, entering his house and sitting down at a table beside a window. The camera slowly zooms in on his face, then dips slowly to black. End credits roll.

He loses everything, mostly by choice. Fine. Jail? A heroic death? On the executioner’s table? No. He’s finishes the series a lonely, ordinary man. I presume he no longer kills people because he’s too tired to track anyone, and there are limited options for places to set up a kill room in the woods. Or maybe he’s freer to kill because he doesn’t have a family to hide the truth from any more, and no social ties that he’s trying to protect.

Thinking about the many ways he could have lost everything, and the way it did happen, it’s not hard to understand why people were disappointed. There was no big payoff at the end. It almost would have been better if Dexter had died when his boat was destroyed by Hurricane Laura. Then it would have been symbolic, one Laura killed him, after years of being haunted by the death of another Laura. Poetic. But unfinished.

Sorry fans. Ramshackle little house in the woods. Bushy beard. A bit of a disappointing ending.
It was almost as painful to watch as all of season five. And season five was by far the show’s worst season.
By the way, how did Dexter survive the hurricane?

Moving along, the rest of the episode had its good moments. Consider the opening scenes.
Remember the Monsters? starts off light, with Dexter outwitting private investigator Jacob Elway (Sean Patrick Flannery), who’s been tracking Hannah McKay all season long. Elway locates Hannah at the airport, where she, Dexter and Harrison are waiting for their flight to Argentina. Elway has Hannah cornered – stuck in the ladies’ room – and Dexter creates a diversion using a ‘suspicious bag’ that he plants beside a chair. He goes to a ticket counter to complain about the bag, which he tells the woman behind the counter was planted by Elway. Security zeroes in on Elway, and it’s safe for Hannah to leave the washroom.

A bit of comedy to break the ice, we fans are a bit on edge about this being the end of the line and all, so it was a good move to start out light. Elway is a skilled investigator and not a ‘big bad,’ so watching Dexter and Hannah foil his plans to take her into custody works.

We’re then taken to Deb. At the end of the previous episode, Saxon shoots her in the stomach after he’s freed beside a table of knives. Saxon gets away, wounded. EMS and Miami Metro find Deb, and she’s taken to the hospital, not before she gives specific instructions not to tell Dexter what happened. Quinn (Desmond Harrington), her on-again boyfriend and fellow cop, rides along with her to the hospital.
Deb’s has grown-up and matured since she dropped her first f-bomb as a rookie in season one. She started out as a kid who could only see black and white into an adult that is so conflicted that she tells Quinn that she is now getting what she deserves. In the ambulance, Quinn tells her he’s screwed up too and they now have a chance to make up for it. All the good they’ll do will cancel out the wrong. But her wrongs aren’t the same as his, she tells him. She did kill her boss, Maria LaGuerta (Lauren Velez), at the end of last season, which led her to quit her job and hit rock bottom.

I, for one, am happy that Deb and Quinn had a brief happy reunion in the last few episodes. A few seasons ago, Deb rejected Quinn’s proposal, which led him to fall apart. Both of their love lives went off the cliff after they broke up. I mean, Deb did think she was in love with Dexter for a while, and did we ever dodge a bullet at the end of season six when she saw him kill Travis Marshall (Colin Hanks). Did that infatuation ever end quickly. I liked this reunion because they both returned to the relationship that did make them the happiest, and they were both mature enough to make it work. I did mention it was brief – happily ever after only works on TV when it’s not quite ever after.

Captain Matthews (Geoff Pierson) defies Deb and tells Dex that his sister has been shot and he leaves the airport for the hospital. After Deb’s surgery, as she recovers in her room, she tells her brother that she’s responsible for her live and he isn’t responsible for her shooting. She then tells him to go with Hannah and Harrison to Argentina. They say their goodbyes and Deb’s doctor tells him that she’s “optimistic” about Deb’s condition.

Cue softly lit flashback: He remembers the first time he and Deb visited Harrison in the hospital after his son’s birth. The flashback ends with Deb saying “everything will be different now.” And this is the point that I started to get the sinking feeling that things were not going to end well.

Meanwhile, Miami prepares for Hurricane Laura. Next scene, Saxon forces a veterinarian to treat his wound. Nearly forgot about him. He’s been one of the season’s bigger letdowns. Unlike ‘big bads’ of seasons past, it took the writers a long time to reveal the Brain Surgeon’s identity. As a shadowy figure, the Brain Surgeon was intelligent, methodical and targeting Doctor Vogel (Charlotte Rampling). But his motive for his killings were weak – Vogel’s his mom and the fact that she was helping Dexter deal with his urges to kill and not pay attention to him led him to become a serial killer. That reveal seemed like a bit of a waste. Saxon is just a needy child. He’s more pathetic than anything else.

Moving along. Hannah and Dexter plan their escape from Miami in a hotel room. They come to a decision that they’ll make their escape in the confusion of the evacuation, get on one of the evacuation buses, and go to the airport wherever they end up and fly out to Argentina. When they do go to the evacuation centre and are about to board the bus, Dexter has a last-minute change of heart and stays behind. Hannah and Harrison get on the evacuation bus and leave.

Even if he is in love with her, that doesn’t change the fact that he’s left his child in the care of a serial killer. Wait a minute, a serial killer was raising his son. Never mind. Harrison did also tell Dexter that he loves Hannah.

So Saxon and the vet drive to the hospital where Deb is staying. He promises not to talk. Saxon cuts out his tongue and sends him inside. The commotion distracts everyone but Dexter, who realizes what’s happening and goes to Deb’s room, where Saxon is heading. As Dexter is about to stop Saxon, Lieutenant Angel Bautista (David Zayas) puts a gun on Saxon, who is then arrested.

Relief.

Short-lived relief. When Dexter goes into Deb’s hospital room, she’s not there. Something’s wrong. He finds a distraught, disheveled Quinn. (Who are we kidding, doesn’t Quinn always look disheveled?) Quinn tells him Deb stopped breathing. Her doctor finds them and tells them that Deb has a stroke and her brain was damaged because it was deprived of oxygen, all caused by a blood clot. She tells them that Deb won’t be able to think, or reason, or know that they’re there. She ends her bleak prognosis by telling them that Deb needs a miracle. Needs a miracle? Doctors say that now?

Dexter has another flashback, which is really a continuation of the last one.

“You’ve always taken care of me,” Deb says. “Don’t you remember the monsters?”

She reminds him about the ‘monsters’ that would climb her wall at night when the lights were out. One day, 
Dexter tells her that they’re just shadows.

“You’ve always made me feel safe,” she says, and the flashback ends.

Dex tells himself that Deb was wrong about that. More buildup.

The next few scenes can be boiled down to:

-Dexter starts to contemplate whether or not he should let the police build their case against Saxon and let the State of Florida execute him.

-Elway finds Hannah on the bus. She offers him tea, he refuses because he knows her M.O. Instead, she stabs him in the leg with one of Dexter’s tranquilizer syringes. She takes Harrison and escapes after Elway is knocked out.

Now for the show’s best scene. Others will say that the final episode lacked a payoff moment. No, there was no big, exciting climax. But this last kill was entertaining – and out in the open.

Dexter, still carrying his credentials to the end of the week after putting in his notice, takes a gunshot residue kit to where Saxon is being held. He and Saxon sit in a room alone, with only the security camera watching.
“I wish I could blame you for everything, but I know it’s my fault,” Dexter tells Saxon. He tells Saxon that what he’s done is help open his eyes to look at himself. And all he sees is a trail of blood and body parts. Dexter has finally accepted that he is a killer, always has been, and always will be. Great, because now we know Saxon will die.

“I’m here to kill you with that pen,” he says, looking over at the ballpoint pen beside his hand.

He pauses for a minute, allowing Saxon to pick it up and stab him in the shoulder. Dexter pulls the pen out, stabs Saxon in the jugular, and he bleeds out pretty quickly. Then Dexter presses the panic button.

Quick cut to Dexter, Bautista and Quinn sitting in a room at the police station reviewing the security footage. Bautista and Quinn were at a loss, but everyone wanted Saxon dead. They figure out what Bautista’s going to put in the report, and Dexter’s free to go. Home free, after openly killing a serial killer.

Back to Deb. Dexter has fully rejected being ‘normal,’ no longer wanting to feel what normal people feel, and he takes his boat to the hospital’s dock and parks it outside. The storm’s still barreling towards Miami. He goes to Deb’s room, looks at her hooked up to all of the machines and sits with her. Tubes and wires attached to her, keeping her alive. The agony is all over Dexter’s face. He apologizes to her and says he can’t leave her like this.

“I’m your big brother,” he says and puts his hand over the power switch of the life support machine. He pauses, and for a moment, I caught myself thinking that he couldn’t go through with it. But then he switched the machine off, pulled out the breathing tube, unhooking her from everything. He tells her he loves her and watches her vital signs monitor go flat. She dies.

It’s was the most powerful moment the show’s had in a long time. Well acted, as always by Hall. It was also the right end for Deb. While she’s grown and matured and was so close to having her happy ending, she’s not like Dexter. She couldn’t go through each day knowing that she killed LaGuerta unprovoked. It’s not that she deserved to die. I don't think she did. It’s that the show could not end with the possibility that she could be caught, or spiral out of control again without Dexter around, in the post-finale possibilities ether. She suffered so much, throughout the show’s lifespan in exchange for all of her growth. While I’m not sold on the mercy-killing aspect, going that route allowed Deb and Dexter time to say goodbye to each other. If that didn’t happen, I don’t think there’d be a fan out there, myself included, that wouldn’t be up in arms about it.

Back to the finale. Dexter wheels her bed out of the hospital during all of the hurricane-related commotion. How no one at all sees any of this is beyond me. No one saw. He wheels her down to his boat. He puts her body in the back of his boat and unmoors. He heads towards the storm, then stops the boat.

He calls Hannah and speaks to Harrison one last time. He tells his son he loves him, and tells him to remember that every day. He says goodbye to Hannah, then throws his phone into the water. Then, he pulls the sheet from over Deb’s face and looks at her one last time. He picks her up and carries her to the side of the boat, then drops her into the water. He watches her body, wrapped in the white sheet sink to the bottom of the ocean. As she fades away into the water, my heart couldn’t help but sink. It was probably the hardest thing Dexter’s ever had to do. Let go of his son and his sister at the same time – the two people he unconditionally loved the most.

“I destroy everyone I love,” he tells himself, vowing to protect Hannah and Harrison from him. Then he steers his boat into the storm. In the next scenes, we see the fallout. Dexter is presumed dead. Hannah reads about it in Argentina on her iPad and then takes Harrison for ice cream.

A part of me wanted the show to end here, but as a fan, not knowing Dexter’s true fate would have been unacceptable. I’ve been watching this show for eight years. I wanted a real ending. Not more questions.
Overall, it wasn’t a perfect episode, but a number of things were right about the ending. But ending it with Dexter as a scruffy, defeated-looking man in the woods? That didn’t feel right.

I don’t think any ending would have felt right, whether Dexter died, went to jail or moved to Argentina with his son and girlfriend. After all, how do you end a show whose protagonist is a serial killer?


Roll the credits.

By: Thia James

Tuesday, September 24, 2013

Marvel's Agents of S.H.I.E.L.D, Episode One: A Review

We waited for months for the premiere of Marvel's shiny new show Agents of S.H.I.E.L.D, and the time has arrived. I, along with millions of other fan boys and girls around the world, tuned in for the premiere episode of Agents (which I will refer to as AoS from now on); and while I can't speak for anyone else, I very much enjoyed it.


Before I give my review, here's some things you need to know about me:

 - I am a Marvel FANATIC. Sometimes I think fanatic doesn't do justice for my fandom love.
 - I saw each of the Phase One movies in theatre multiple times.
 - I saw The Avengers in threatre five times.
 - I met Stan Lee in the summer of 2012 and it ended with me crying and shaking like an infant.
 - I own all the Phase One movies, plus the Phase One special edition tricked out box set.
 - I have a complete Marvel encyclopedia, which has become my bible.
 - I have a blonde cat named Thor and a black cat named Loki.

I tell you all this so that you can understand how critical I will be of this show. I have ridiculously high expectations, so you'll get some honest answers.

Ok, hold on to your butts, because here we go!

WARNING: Obviously spoilers ahead. YOU ARE WARNED!
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So the show begins with the classic Marvel intro (comic book pages flipping), and the excitement ensued. We hear a woman's voice speaking about the world we live in, specifically the one since the Battle of New York. Shield has left the shadows and they're known to be associated with aliens and things we can't comprehend. We see flashes of the cast of The Avengers. The episode begins with a father and son looking at an action figure re-enactment of the Battle of New York, talking about the heroes that the world now knows exist.

There's an explosion, we hear screams from the top of the building across the street that is now engulfed in flames. The father, clearly concerned about the situation, walks over the the external wall of the building. He looks at his hands sighing, and proceeds without any aides, to climb the wall to the top of the building. He finds a woman inside and jumps out of the window, landing on the road below with injury. The 'Hooded Hero', seeing that people have become interested in him, runs off into the crowd. The SHIELD logo appears on screen.

It was most definitely a fancy, eye catching intro. It was written beautifully, but having seen the intro to The Avengers, nothing is quite as good (everything will always be compared to The Avengers, at least for me). The show doesn't start off slowly, we see some awesome action scenes and some INSANELY cool tech gadgets (like a serving tray that doubles as an x-ray machine, a napkin that can read finger prints from hard surfaces and inner ear communication devices [which also explains why all the characters in Avengers seemed to be talking to no one]), but nothing overly exciting seems to happen - it just seems like all the characters are going through the motions.

We are introduced to the main cast (which is rather slow, almost a little painful with their "I have so much back story, and we'll say I have it, but we won't tell you what it is" nonsense). The characters are likable. There's the lone soldier, Agent Ward (played by Brett Dalton), the apprehensive veteran, Melinda May (played by Min-Na Wen), and science buddies, Agents Fitz and Simmons (Ian De Caestecker and Elizabeth Henstridge) the rebellious ally, Skye (Chole Bennet) and the mysterious leader, Phil Coulson (played by Clark Gregg). The cast seems great, but their initial story lines just seem kind of boring. Except for Coulson.



We all know the story of Agent Coulson in The Avengers, and there were many references made to the circumstances surrounding his apparent "death" in the movie. There is an exchange between Maria Hill (Cobie Smulders) and a Doctor (played by Ron Glass) about Coulson, saying "He really doesn't know, does he?" I think the major story line that will run throughout this season will be Coulson's 'resurrection'.

So it sounds like I didn't like the show, but I was actually quite surprised by how much I enjoyed it. There were a ton of references to the Marvel Cinematic Universe, including the Extremis virus (which ties neatly in with the release of Iron Man 3), the Erskine serum, a lot of Stark-ish technology and lot's of name dropping. We have a brand new villain, who is funding "Project Centipede." We see that there are still many remnants of the Battle of New York, including a Chitauri neural link, and, mostly importantly, there were a bunch of laughs.

The series will be written by husband/wife duo Jed Whedon and Maurissa Tancharoen, with Marvel Godfather Joss Whedon helping with writing for the first episode. While there's nothing new about the structure of the show, it aims to show us what it looks like when all the big superheroes are gone and the people behind the scenes are left to pick up the pieces.

I think the timing of the series is brilliant, given Marvel's absolute domination of movie box offices around the world. I am intrigued by the series and if you're a fan, or even if you aren't familiar with the Marvel world, you may get in to this one.

The episode ended with a call on a 084. We don't know what it is, but I'll be tuning in next week to find out!

Oh, and did I mention that Lola is a freaking hover car? Yeah, that happened! :)

Twitter: @Stepherland

Tuesday, September 17, 2013

Sleepy Hollow: Destinies intertwined, fates revealed

Sleepy Hollow premiered Monday night on Fox, and this geek....was actually very impressed.

The story line had some meat to it, which I was surprised about because most of the teasers leading up to it had some garbage puns and silliness to them which felt like Fox was once again catering to the crowd that is constantly impressed with loud noises and flashy things (seriously throw on a show about a flashlight shaking around on a dark wall for 30 minutes once a week and keep the rest more quality and I won't complain Fox!).

I felt like Ichabod Crane had actually just broken out of the 1700's. Pretty amazing how that was pulled off, the actor made the character seem very real to me.

He is paired up with Abbie Mills, a deputy in the town of Sleepy Hollow with a sordid past.

Basically they are tasked with the duty to stop the coming for the Four Horsemen of the apocalypse.

I realized this was the story line when I was watching the teasers because it had been mentioned, however I thought it was going to be done in a cheeseball way, and has actually been put together pretty impressively.

My only 'whut' moment was when the Horseman grabbed a bunch of semi-automatic weapons and started going to town on the police force with them...that seemed a little unrealistic to me, plus come on, his signature weapon is an ax or sword.

Aside from this, apparently Orlando Jones is reviving his career with this series, and John Cho makes a cameo! Yay!

Check out my full review down below (yes there are spoilers) and let me know what you think!

Will you be revisiting Sleepy Hollow next week and also will you be able to look into a mirror in the next few days?


By: James Bowler

Monday, September 16, 2013

Pink Stars are....rising? Under The Dome Season 1 finale

First of all I just want to say I've already read a few reviews and I won't name any names but what a sorry sack of you-know-whats.

From people calling the series terrible with plot holes and an annoying cliffhanger, to someone bitching about Hollywood attempting to milk the original story for all its worth, it's clear to me why good and intelligent story lines and clever plot twists and cliffhangers are usually left hanging forever.

If things don't end with a happy ending everyone gets pissed, and of course we get negative reviews from critics who's heads were clearly inserted up their asses long ago (its the old adage, if people can find something to complain about they will).

Well suck it up princesses, welcome to the wonderful world of well thought out plot lines.

My one question if this show was so terrible why are you watching and not only watching it but, watching it until the season finale? Riddle me that one morons.

Anyways I will quit ranting about idiots who have no idea what makes good television these days and move onto my own review, which I'm sure you can tell will be favourable.

Despite some other entertainment sites claiming the series was full of plot holes, I found no such errors with this series.

The story line actually runs along quite smoothly, the dome comes down, everyone trapped inside either goes in the direction of following others for answers or realizing that the one who controls the resources controls the town.

And of course Big Jim Rennie shoots and maims his way to the top of that pile very quickly.

In the novel Big Jim actually does take over the town and frames Barbie for a number of murders that he himself committed.

And for a short while I wasn't sure if the series was going to go in that direction, but it quickly went there, and it couldn't have fit more perfectly. A once seemingly successful partnership, while very thin, between Big Jim and Barbie quickly turns sour when Barbie threatens to remove the throne from beneath Big Jim's mighty ass.

Barbie is used as a scapegoat in order for Big Jim to win favour with the people of the town and basically take over as its ruler and the only thing standing in his way is the possibility of the dome coming down.

So he terrorizes the kids who are working to protect the egg in the mini dome which they believe holds all the power of the dome itself.

And for some reason Linda loses all of her ballsiness that she had garnered after taking over as Sheriff and basically caters to all of Big Jim's lies....pretty terrible police deductions there Linda.

I think the most interesting piece of this finale was that it does in fact seem that aliens are involved in the appearance of the dome, but unlike the story line in the novel where the dome is meant as an ant farm type apparatus in order to amuse juvenile aliens, the being that communicates with Julia and the kids warns them that the dome was meant to protect them from something that hasn't happened or come yet.

So we already have our season two story line set up, what is this mysterious big bad thing that needs an entire missile-proof dome to protect these people from? And is it going to seal the fate of the rest of the world which lies unprotected?

Seems like more may be explained next season after Julia dropped the egg in the water to protect it which sent Pink Stars rising (instead of falling) into the sky which broke apart the darkness but caused a massive amount of light.

Meanwhile Barbie's fate is left in the hands of Junior Rennie who was seemingly about to pull the lever to release the platform on the guillotine Barbie is attached to, hanging Barbie.

I must admit the cliffhanger ending was frustrating, but I am not going to go as far as to say that the entire series is terrible and throw a big tantrum like a child in Toys R' Us who didn't get the toy he wanted.

This is television people, it has to remain lucrative and interesting. Wrapping everything up with a neat bow is not interesting or lucrative at all.

And just to note, Stephen King is writing the first episode of the second season, now call me crazy, but I can't think that King would have any involvement with the second series if he thought it was just going to be a piece of garbage meant as a cash grab by CBS. And for those of you who say he's in it for the money too, you've obviously never heard his thoughts on some other versions of his books adapted for TV and film.

Stick with Geeks By Day for a less tantrum-filled, non-skeptical nor ignorant review of Season Two of Under The Dome...I'll have all your Season 2 news leading up to the next season which hits next summer.

By: James Bowler

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